The film won the National Film Award for Best Popular Film Providing Wholesome Entertainment and was nominated for Best Film and Best Actress for Chopra for the Filmfare Award. Mary Kom is also ranked among the Indian films with the highest number, featuring a female actor. The film was a commercial success, at the box office grossing INR 1.04 billion. Upon its release, a female-led Indian film posted the highest opening weekend of all time. The film premiered at the 2014 Toronto International Film Festival and was the first Hindi film to be shown on the festival’s opening night. For three months Chopra underwent rigorous physical training to develop a muscular physique and learned Kom’s distinct boxing style.
Before her bronze medal victory at the 2012 Summer Olympics, Kumar met Kom to ask for her permission for the film which brought her recognition. Mary Kom was created by the writer Saiwyn Quadras, who suggested the storyline to Kumar when, given her numerous accomplishments, Kom was not a common name in India.
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The movie marks Chopra’s Hindi playback singing debut, which supplied her vocals for a song called “Chaoro” (a lullaby). It is the journey to becoming a boxer to her success in the 2008 Ningbo World Boxing Championships. This features Priyanka Chopra playing the role of Mary Kom- portraying her life and the hardships she faced while following her passion. The film is based on Olympic boxer Mary Kom’s story and has been directed by debutant Omung Kumar. The film Super Hit was announced by Box Office India after its fourth week. This has won three National Film Awards including Best Actress, three Filmfare Awards, and six Screen Awards including Best Picture, and Best Director. The Dirty Picture grossed around the world ₹1.17 billion (equivalent to $1.9 billion or $27 million in 2019) and earned numerous awards, most of which Balan won for her Silk depiction. This also reflects other women’s personal lives in popular culture like Marilyn Monroe, Hollywood star, and sex symbol. The filmmakers have explained that the story is not based on Smitha alone, officially or literally, but on many of her southern contemporaries, including Disco Shanti. It was a major success among the audiences and the reviewers, with special praise for the performance by Balan. Directed by Milan Lutharia, the film is based on the life of Silk Smitha, a late south Indian actress.
The film rocketed the career of its actress Vidya Balan and is credited with paving the way for other female-centric stories of the future. The film was retrospectively screened at the Independence Day Film Festival on 14 August 2016, jointly presented by the Indian Directorate of Film Festivals and the Ministry of Defense, meant to celebrate the 70th Indian Independence Day. On release, the film received broad critical acclaim at the BFI London Film Festival, winning the National Film Award for Best National Integration Feature Film and that year’s National Film Award for Best Production Design.
The film portrays the life of Indian freedom leader Subhas Chandra Bose in Nazi Germany: 1941–1943, the events that led to the founding of Azad Hind Fauj and Japanese-occupied Asia 1943–1945.
The movie featured an ensemble cast of Sachin Khedekar, Kulbhushan Kharbanda, Rajit Kapur, Arif Zakaria, and Divya Dutta. Khedekar had been praised for his performance at his release. Sachin Khedekar took on the protagonist’s position. The film, directed by Shyam Benegal, is based upon Subash Chandra Bose’s life. How Phoolan Devi became an icon is not hard to understand her story - as a woman, and particularly as a poor, low-caste woman - is stunning and unique but also tragically paradigmatic. The film won the National Award for Best Film and is regarded as one of the finest biopics. Raised in 1963 to a low-caste household in a village on the banks of the holy Yamuna River in the vast northern Indian state of Uttar Pradesh, by the time of her surrender, Phoolan Devi was wanted on 22 charges of murder and another 26 counts of kidnapping and looting.Īt the age of 31, after a decade in jail, she became the subject of a major Bollywood film, Bandit Queen, which she criticized and which, as Arundhati Roy pointed out in a two-part evisceration called The Great Indian Rape Trick, calcified into agreed reality a controversial version of her life (and its meaning). This 1994 Shekhar Kapur-directed film, one of the earliest biopics to come out of Hindi cinema, is unlike most of the films made in this country, as it gives a genuine, brutal and unflinching look at the life of bandit Phoolan Devi.
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